Nothing was the same as it ever was

No more links or pictures. Just words. Turning 30 is hard.

The Murderporn Feedback loop

I visit the corner store below my apartment almost daily. In doing so, I’ve gotten to know the staff rather well. Some are more friendly than others, but they’re all so accustomed to seeing my face that they recognize me and have small talk with me on almost every visit. This corner store also loves to play a wide range of TV shows and movies at full volume on a TV above the aisles at all times. It’s become somewhat of a trademark for them.

The other day, I joked with a cashier that I could probably tell which employee was working by just seeing what was on the TV. One cashier has a pretty varied set of tastes, but it’s all mired in a sort of cult-status appeal. From Monty Python, to Aladdin, to Mystery Science Theater 3000, while there’s a story difference in his interests, he’s definitely wearing his “indie badge” proudly.

The other cashier - we’ll call him Ben - has one preference and one preference only: murder porn(http://www.hulu.com/watch/542494). From CSI, to NCIS, to Locked up, to The First 48, Law and Order, to CNN coverage of a shooting, to an MSNBC news panel argument about said mass-shooting, to any other true/false crime played on network/cable TV, an individual to several people are gonna die/get locked up during his shift. Now almost every time I come in, I definitely take a second to recognize what’s on the TV and watch a few tidbits with them and remark on what they’re watching. When Ben’s working, I usually end up watching a little longer because I’ll admit, it’s compelling as fuck tv. It usually boils down to 1 thing: Someone did a murder thing, and [people] are going to solve it.

Now Ben is an incredibly charming and lovable fixture in my community, and incapable of causing harm to another human being, but his downright obsession with murder has me thinking about a theory I’ve had clanking around in my head: the murder porn feedback loop. Now this plays into a very interesting study done by PLOS ONE that says school/mass killings have a somewhat “contagious” affect on outside observers (http://www.cnn.com/2015/07/02/health/contagious-mass-killings-study/). Now the study uses much more sophisticated means of correlating the data, than I will and I highly suggest you read the actual study (http://journals.plos.org/plosone/article?id=10.1371/journal.pone.0117259), but it’s a common-sense headline.

Here’s why I say “common sense”. Never as much as before do we have so much high-quality access to real-life murder than we do right now. Here’s what I mean, during the San Bernadino shootings, I watched - in semi-real-time - the shootout between police and the shooters, from my desk at work, in high def. Tying back to true-crime drama at the corner store, I say again: compelling as fuck television. Everything runs through your mind, from what weapons the shooters are using, what artillery the local police office uses, to what the shooters look like, to what explosions you get to see, etc. It’s a real life, real time, action movie. Except real lives are at stake, and their actions have real consequences.

CNN would never release the full data that shows it, but every time a shooting happens, I’m absolutely certain they have a ratings bonanza. So how do they react? In the name of providing top-notch coverage, they improve their product. They show more graphics, more roundtables, more camera angles, more pixels, more animations, more charismatic personalities, more grieving witnesses, more stunned reactions. More, more, more, more.

My question is: how much more do we need? How much more informed do we need to be? Am I more educated, more informed, more prepared, more aware of the next mass shooting because I watched it? I find that doubtful. I also find it doubtful that their coverage outside of where to run if you’re involved, or who to contact if someone you know was involved benefits the general public (read: viewers) whatsoever.

Conversely, how much harm does it do? Well, I won’t begin to understand the mind of a mass-murderer, but all logic and common sense points to the notion that a person with anger, radicalized views, and schizophrenic voices in their head is watching, obsessing, and absorbing the same coverage that I am. And in doing so, are feeling the slightest bit more motivated to go through with something they potentially had been plotting all along. Whether or not seeing the police put 500 bullets into the shooter’s car may or may not compel the aforementioned potential mass-murderer’s to think twice is up for debate, but of the few mass shooters to survive their horrific actions, I have yet to hear one say “I thought I could get away with it”.

So that begs the question, are we in a feedback loop? For each shooting, are we ratcheting up the likelihood of another shooting by that tiny nth of a percentage, motivating that next mass shooting, ratcheting the likelihood up once more, and so on? If that is the case and we are motivating potential mass-murderers to become actual mass murderers as the PLOSONE study suggests, should something be done about it? If cable news actually cared about the well-being of the very citizens it broadcasts its 24 hours coverage to, why aren’t they simply showing a headline in the ticker that says “MASS SHOOTING IN [LOCATION], call [PHONE NUMBER] or visit [WEB ADDRESS] if you feel you, or someone you know is affected”.

Certainly someone else has made this point somewhere else, but has any political initiative been made to alleviate it? In my opinion, our obsession with death is slowly and unnecessarily killing us.

How Popular are they?

For my “blog”’s 6 year anniversary, let’s talk about the thing I blogged about 6 fucking years ago - the music industry. Spotify is by no means the most effective tool to quantify the popularity of a musician. It is, however the easiest. When I realized you can see the amount of listens a particular track has gotten (down to the exact number!), I began comparing some of my favorite musicians, to get a sense of their popularity in the mainstream. Having spent years not listening to Top 40 radio, or really any radio whatsoever, I usually feel pretty disconnected from what’s considered “mainstream”. For most of college, and the (several) years afterwards, I’m comfortable admitting the primary source of finding music not using word of mouth was through blogs like pitchfork, gorillavsbear, and the like. This is still a very reliable source of great music, but it’s also putting yourself in a bubble that most importantly isolates you from a large majority of the mainstream.

For the sake of posterity, I’ll exclude the pop heavyweights like TSwift, KP, and the like. In terms of urban top 40, hip hop, R&B, etc, spotify has a pretty incredible tally of listens for tracks. A few things that stood out to me: of the Odd Future collective (Tyler, the Creator, Earl Sweatshirt, Hodgy Beats, Frank Ocean, The Internet), the most popular artist BY FAR is Frank. Surprised? Me neither, but what I do find surprising is the sheer quantity of listens he has. He almost never is featured on someone else’s track, he has one LP out, two singles, and I’ve never heard a song of his on the radio. Still, his top track Thinkin Bout You has brought in 62,000,000+ listens. Compare that to de facto leader, headline grabber, and the overall unavoidable personality of OFWGKTA, Tyler, the Creator whose brought in 19,000,000+ for his “coming out” track Yonkers. Earl Sweatshirt, widely regarded as the one with talent, the lost boy, the enigma is barely breaking 7m listens with his top track Chum. Frank’s album it should be noted is better than anything anyone else in OFWGKTA has put out, and that’s coming from probably one of their biggest fans.

Now here’s some food for thought: long considered the freudian yang to Frank’s Yin, The Weeknd is astoundingly more popular than even Frank. Granted, they’ve got plenty more material on spotify, nothing is better for your career right now than riding Drake’s coattails. Ironically enough, by and large the Weeknd’s most popular track is a guest verse on Ariana Grande’s Love me Harder (remember when I said I wouldn’t talk about pop stars?), which is rapidly (released August 2014, some of these weeknd tracks have been on spotify since 2012) approaching 100m listens. The Weeknd have never received the kind of critical accolades Frank has, but this goes a long way in showing what regular radio airplay can do for an artist.

Enough R&B though, let’s look at some hip hop artists. Drake most likely is the biggest rapper in the game right now. Jay has his share of 100m listen tracks, but between (essentially an R&B track) Hold On, We’re Going Home, his numerous singles from Take Care and Nothing was the Same, and the insane amount of guest verses (go to Drake’s spotify page and just keep scrolling down) Drake is fucking everywhere on spotify. I had heard somewhere Kendrick Lamar tallied listens the fastest any artist ever had on spotify with GKMC, but his listens tend to peak around 50m. A blue-collar cat like KDot also has an insane amount of guest verses (again, scrollllll). If Jay and Drake are the king and queen (hahahahaha because why the fuck not), Kanye has to be the prince, even though most of his most popular tracks are from collab Watch The Throne. While Jay wouldn’t have any of the stats he has without Ye’, it’s interesting to see his two (pretty universally panned albums’) tracks Empire State of Mind and Holy Grail are in his top 3.

If the guys mentioned above banded together and demanded more from spotify, spotify would almost certainly have to agree. One could have a field day compiling stats on what percentage of listens are owned by what percentage of artists. I’ve heard nearly 80% of all music on spotify gets listened to by someone, a pretty encouraging stat, but it’s easy to lose track of just how big a number 100,000,000 actually is. 

My last point: Spotify is clearly a more youth-targeted product, and the aforementioned numbers support this claim. Still, it’s astonishing to see how relatively low the listens are for some absolute music legends. Led Zeppelin recently released all of their catalogue to spotify, yet all of the band’s listens from their entire catalogue don’t add up to the amount of listens by one track of Ariana Grande’s (Problem). Prince’s released last year album doesn’t have a track from it with over 2 million listens. Related “legends” like Stevie Wonder, Alice Cooper, Aerosmith, Guns n’ Roses, Hall and Oates, all don’t have a single track with over 50m listens. The one exception: Michael Jackson, widely regarded as the biggest pop star in the history of music tops out at 77m listens. Less than half of Iggy Azealia’s top track, Fancy. 

It begs the question, do artists need platforms like spotify to survive, or the other way around? If I were spotify, I’d let mainstream music continue to bring in its 60m subscribers on what is a quality product, and begin opening stores in malls helping people’s parents install the app on their phone.

So yeah, facebook.

QOTSA & PJ Harvey (!) - Make it Wit Chu

I’m at the point in my life now where I just don’t fucking care if people know how much I like Drake’s music

Shoutouts to the best bachelor party crew imaginable, on Instagram straight flexin’ (at Excalibur Hotel & Casino)

Shoutouts to the best bachelor party crew imaginable, on Instagram straight flexin’ (at Excalibur Hotel & Casino)

So this is a guy named “Dick Trickle” who smoked cigs while driving his Nascar race car